Central Saint Martins
How to Be a Performance Artist
Central Saint Martins
Performance Art
New York University
Ajami and the Paradox of Fiction
Goldsmiths University of London
The Fair Songster
Leeds Beckett University
Reading as Art
Leeds Beckett University
Pigeon Reader
Leeds Beckett University
Do Or DIY
Kings College London
What is the Nature of Action?
Kings College London
What Is the Basis of Moral Obligation?
Kings College London
Self-Determination: The Ethics of Action
Kings College London
Hobbes on Liberty, Action and Free Will
Slade School of Fine Art University College London
Parts and Labour
Goldsmiths University of London
Faith in the public sphere
Goldsmiths University of London
Postsecularity and a New Urban Politics—Spaces, Places and Imaginaries
Goldsmiths University of London
Kantor after Duchamp
Goldsmiths University of London
The Theatre of Death – The Uncanny in Mimesis
University of Nottingham
Robert Peel, John Doyle and Visual Parody
University of Nottingham
Migrating objects: John Henry Foley and empire
University of Nottingham
Parliament as theatre
New York University
Liberalism in Empire
Goldsmiths University of London
It Sees (Notes Toward a Cultural History of Financial Vision)
Goldsmiths University of London
Reputation Addiction
SOAS University of London
Mapping K-Pop Past and Present: Shifting the Modes of Exchange
SOAS University of London
Sustaining an Emerging Korean Percussion Tradition
SOAS University of London
Music as Intangible Cultural Heritage
